Police beat : the emotional power of music in police work /
This book is concerned with the social processes of being and becoming emotional and of making music, and the ways in which these processes are intertwined in the context of an Australian police department that wields subtle forms of power by emotional and musical means. The book is based on 18 mont...
Збережено в:
| Автор: | |
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| Формат: | Книга |
| Мова: | English |
| Опубліковано: |
Youngstown, N.Y. :
Cambria Press,
c2007.
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| Предмети: | |
| Онлайн доступ: | Table of contents only |
Зміст:
- Introduction: An Ethnographic Curtain Raiser; An Emotional Problem; The Embodiment of Police Conduct: Beyond Interactionism; A Musical Solution; The Grayville Band: Musical Public Relations Unit
- Ch. 1. Complex and Nuanced Conceptions of Emotion, Music and Fieldwork: Tangled Threads: Emotion, Music, Power; A Phenomenology of Emotions: Embodied and Musico-Sensual Dimensions; Power: The Emotion Police; Ethnographic Engagements
- Ch. 2. Embodied Disconnection: Police, Emotion and the Social Body: Embodied Sociality and Emotion; Police and Emotion: Emotion as Observable and Physical; Emotional Expressions as Evidence of Connections that Bias and Corrupt; Emotional Expressions that are not Emotional: The Ethnographic Difference Between Thinking and Feeling; The Artificiality of the Thin Blue Line; Erasing Evidences of Emotion from the Police Body; Achieving Embodied Disconnectedness via (non visual) Surveillance
- Ch. 3. Rehearsal: The Recipe for Sad: Recipe; An Invitation to the Present Body; Synaesthetic Surveillance and the Pain of Separation; Synaesthetic Surveillance: Hearing Undeaf to Itself; The Tiny of the Titanic; Listening Audiences, Instrumentalized Players; The Recipe for Sad and the Buzz of the Sad Performance
- Ch. 4. Becoming an Instrumentalized Person: Some Orienting Notes; Performance Experience ; Hearing; Touch; Sight; Taste and Smell; Becoming a Band
- Ch. 5. Some Law Enforcement Officers Will Now Sing 'My Heart Will Go On' (Or Metonyms and Contradictions): Emotion-Not Meta-Emotion; Power-Laden 'Material Memories'; Three Kinds of Materiality: Police Bodies, Instrument Bodies, Sounds and Musical Genre; Police Bodies as Material Memories; Musical Material Memories: Sonic and Visual Seeming Contradictions
- Ch. 6. The Final Curtain.