The art of fiction : illustrated from classic and modern texts /

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Bibliographic Details
Main Author: Lodge, David, 1935-
Format: Book
Language:English
Published: New York : Viking, 1993.
Edition:1st American ed.
Subjects:
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100 1 |a Lodge, David,  |d 1935- 
245 1 4 |a The art of fiction :  |b illustrated from classic and modern texts /  |c David Lodge. 
250 |a 1st American ed. 
260 |a New York :  |b Viking,  |c 1993. 
300 |a xi, 239 p. ;  |c 23 cm. 
504 |a Includes bibliographical references (p. 231-235) and index. 
505 0 |a 1. Beginning (Jane Austen, Ford Madox Ford) -- 2. The Intrusive Author (George Eliot, E. M. Forster) -- 3. Suspense (Thomas Hardy) -- 4. Teenage Skaz (J. D. Salinger) -- 5. The Epistolary Novel (Michael Frayn) -- 6. Point of View (Henry James) -- 7. Mystery (Rudyard Kipling) -- 8. Names (David Lodge, Paul Auster) -- 9. The Stream of Consciousness (Virginia Woolf) -- 10. Interior Monologue (James Joyce) -- 11. Defamiliarization (Charlotte Bronte) -- 12. The Sense of Place (Martin Amis) -- 13. Lists (F. Scott Fitzgerald) -- 14. Introducing a Character (Christopher Isherwood) -- 15. Surprise (William Makepeace Thackeray) -- 16. Time-Shift (Muriel Spark) -- 17. The Reader in the Text (Laurence Sterne) -- 18. Weather (Jane Austen, Charles Dickens) -- 19. Repetition (Ernest Hemingway) -- 20. Fancy Prose (Vladimir Nabokov) -- 21. Intertextuality (Joseph Conrad) -- 22. The Experimental Novel (Henry Green) -- 23. The Comic Novel (Kingsley Amis) -- 24. Magic Realism (Milan Kundera). 
505 8 |a 25. Staying on the Surface (Malcolm Bradbury) -- 26. Showing and Telling (Henry Fielding) -- 27. Telling in Different Voices (Fay Weldon) -- 28. A Sense of the Past (John Fowles) -- 29. Imagining the Future (George Orwell) -- 30. Symbolism (D. H. Lawrence) -- 31. Allegory (Samuel Butler) -- 32. Epiphany (John Updike) -- 33. Coincidence (Henry James) -- 34. The Unreliable Narrator (Kazuo Ishiguro) -- 35. The Exotic (Graham Greene) -- 36. Chapters etc (Tobias Smollett, Laurence Sterne, Walter Scott, George Eliot, James Joyce) --37. The Telephone (Evelyn Waugh) -- 38. Surrealism (Leonora Carrington) -- 39. Irony (Arnold Bennett) --40. Motivation (George Eliot) -- 41. Duration (Donald Barthelme) -- 42. Implication (William Cooper) -- 43. The Title (George Gissing). 
650 0 |a English fiction  |x History and criticism  |x Theory, etc. 
650 0 |a American fiction  |x History and criticism  |x Theory, etc. 
650 0 |a Criticism  |x Terminology. 
650 0 |a Fiction  |x Technique. 
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